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Overexposure: When to Donate Freebies, and When to Say No

January 24th, 2009

When I was first starting out, I gave away a lot of stuff in the name of “exposure”, because I kept hearing from other business owners how important it is to “get your stuff out there.” What they really meant, though, was “get your stuff out to your target market.”

Two days ago a random Etsy member asked me to donate 100 items to supply her wedding guests’ gift bags. In return, she promised to “get your product out there to a large group of people of varying ages, most of which have never even HEARD of Etsy.”

This may sound appealing, but when you think about it, it’s as effective a marketing strategy as standing on a random street corner and giving away 100 of your products for free. “People of varying ages, most of which have never even HEARD of Etsy” are NOT my target market, and they’re probably not yours, either. Even if they think your product is cool, Great Uncle Fred and 12-year-old Simon are not going to shop Etsy. Why waste your handmade items on them?

My advice is to only give away freebies at events where at least 80% of the participants would be likely to shop from you. Gift bags at well-attended craft fairs like San Francisco Bazaar are good, especially if it gets you a spot in promotional materials or the fair is so big customers don’t make it to every booth.

Product-specific events are also good. Do you sell mainly to affluent pet owners? Then donating stuff to an animal rescue benefit is appropriate. Giving away freebies at the launch of a new fashion magazine is not. Yes, some of those fashionistas will also be affluent pet owners, but is it worth 100 handmade items to get just one new sale?

I’m not saying that those who ask for free stuff are bad people, but they are ultimately looking out for their own event/organization, and not for your business. It’s up to you to do that and to separate targeted, effective promotion from untargeted ineffective promotion.

Current Status of the CPSIA, or "Lead Law" for Children's Products

January 17th, 2009

Crafty businesses are pissed about the Consumer Product Safety Improvement Act.  Really pissed.   On the surface it sounds good, and it certainly has good intentions behind it, but it carries a lot of new requirements that could put a lot of crafters out of business during a time when it’s already hard enough to get by.

The CPSIA sets new standards for the amount of lead and phtalates allowed in children’s products–from clothing to toys to furniture–which is good, in theory.  In practice, however, it requires every material in every component in every color of every product to undergo testing, which can cost thousands of dollars per product.  It also requires resellers of children’s products to carry safety certificates (GCC’s) for any regulated product they buy after February 10th (when the law goes into effect).  While large, foreign toy manufacturers may be able to absorb these costs, small domestic businesses and individual crafters may not.

Unsurprisingly, small businesses have been in an uproar about the CPSIA–so much so, in fact, that the issue reached #6 yesterday on Change.org, putting it safely within the top ten issues which will be presented to President-Elect Obama’s transition team.  People on Etsy.com have been petitioning the Consumer Product Safety Commission regularly, as have many popular small business bloggers.  Luckily, with the economy in the tank and public opinon firmly on the side of Main Street, these petitions seem to be getting heard.  Just last week Bloomberg News reported that “wool, cotton, silk, gemstones and pearls” would all be exempt from testing.  The L.A. Times also reported exemptions for “clothing, toys and other goods made of natural materials such as cotton and wood.”  And the CPSC itself released a statement on January 8th, stating: “Sellers of used children’s products, such as thrift stores and consignment stores, are not required to certify that those products meet the new lead limits, phthalates standard or new toy standards.”

That’s a big relief, and of course the hope is that the CPSIA will continue to be updated to protect both children’s safety and the livelihood of small businesses, but we’re not off the hook yet.  All of the above statements are just press releases.  Nothing in the text of the law has actually been changed yet. So what can you do as a small business owner?  First, submit your own comments to the CPSC by January 30th. All the contact information can be found on the second page of this document.  Second, prepare your business if you sell any children’s products:

  • Contact the manufacturers of your materials to see if they have already tested their products.  If so, ask for a copy of their safety certificate.  If not, ask that they be tested (perhaps in conjunction with others who use their materials), or seek alternative manufacturers.
  • See if your products can be made with alternative materials.  Can your children’s jewelry be made with wooden beads rather than plastic ones?  Can that headband be made out of cotton, rather than polyester?
  • Contact your local representatives in Congress about this issue, or draft a petition and have all the crafters you know sign it.

There is still a lot of room for change in the CPSIA, but it won’t happen by itself, so be a swimmer and take responsibility for the survivial of your own business.

Interview with DameStar Baby

November 20th, 2008

Please tell us a little bit about yourself and your business.

DamestarBaby is the work of two stay-at-home moms. Amy does the painting and designing, Jaime does the paperwork and puts the word out, propaganda-style. We both sew amid the bustle of our homes, which are filled with the high-pitched squeals of little girls and the guitar-playing of their papas.

What are your favorite crafts and how did you first get involved with crafting?

We sort of dabble in it all when it comes to crafting: a little knitting here, embroidery there, dollmaking, claybaking. I think our favorite crafts are the ones our kids make when imitating mama’s, they sort of take what we do and run with it in their own way. The appeal of handmade, for us, is that little bit of imperfection that makes each piece its own unique work of art.

We first got involved in what we do because Amy’s paintings were piling up and they were just too good not to share. Then she caught a kind of sewing fever that has no cure, and that’s where we are now.

What do you like best, coming up with ideas or executing them?

For Amy, it’s coming up with ideas, for Jaime, it’s the execution. That, among other things, is what makes us a good team.

Are you super organized or messy?What does your workspace look like?

Everyone has their own organizational system, but we’ll go ahead and admit that our fabric is rarely neatly folded and our sewing tables are in the living room. Super organization and children don’t really mix, see.

Any exciting future plans or developments in the works for your business?

We’ve always planned to grow our business into a mom co-op type collaborative. We’d love to give other stay-at-home moms the opportunity to add a little butter to daddy’s bread, like we do. And of course, we intend to keep dreaming up and bringing you ever more awesome kidswear.

Our website is www.damestarbaby.com, which has links to our blog, www.damestarbaby.blogspot.com, and our shop, www.damestarbaby.etsy.com.

Crafty Business Questions: Pricing

November 19th, 2008

What’s the best way to calculate pricing for handmade items?

Pricing is a delicate process, and one that you should continually analyze and refine, because your sales can be hurt just as much by pricing items too low as by pricing them too high.  It’s a common misconception that lower prices equal higher sales.  In reality, price has a good deal of influence on how people perceive the quality of your goods.

Last year, Meg Mateo-Ilasco, the author of Craft, Inc. (a crafty-business book I highly recommend) led a session at a Biz Lady meet-up sponsored by design*sponge.  During this session, she told the group about how she tried to ramp down her invitation business by doubling her prices.  She figured that if she raised her prices significantly, far fewer people would be willing to hire her.  In fact, just the opposite happened–she became inundated with clients who wanted the high-quality design her prices indicated.

The perceived quality of your goods is just one factor in determining their price.  You also need to consider the cost of your materials, the time it took to make your products, and overhead–things like your rent and utilities if you have a separate studio (even if it’s within your house), merchant service fees, etc.  You should build a living wage into the price of your work, and folks, it should not be minimum wage!  You are a skilled craftsperson, not an indentured servant.  Just because a factory in Indonesia pays its workers slave wages doesn’t mean you have to pay yourself that way.  The typical wage for someone working in a creative field in San Francisco is about $22/hr.

Of course, you have to look at what the market can handle, too, and a craft fair is a different market than a gallery.  Your intricate and beautiful quilt may be worth $2,000, but you probably won’t sell it at the San Francisco Bazaar. That doesn’t mean you should lower the price, it just means you need to find another venue for it, and bring your $50 quilted pillows instead.

I recommend using the following calculations as a good starting point:

  • Double the cost of materials + cost of your time + overhead  = wholesale price
  • Wholesale price x 2 = retail price

Then do a search for similar products to yours on Etsy and see how they price out.  How high do they go before you come across shops that aren’t selling?  Can you add some more profit to your prices and still be within range?  Finally, test your prices online and/or at a few craft fairs.  Make adjustments as necessary.

I craft for the love and not the money, so I just charge people what it costs to cover my materials.  Why does this make some other crafters so mad?

In short, because some of us craft for the love and the money, and you’re threatening our livelihood.  Underpricing is a serious issue in the craft world. It hurts other vendors by making their goods look overpriced by comparison, and it hurts crafters everywhere by telling the world we don’t think our work is worth as much as that of “real artists.”  If you really just want to support your crafting habit by essentially giving your products away, I would recommend sticking to selling them on your own–to friends, family, and co-workers, or on your own web site.  Better yet, do give them away (and use the tax write-off to support your habit), or sell your products at full price and donate the difference to a worthy cause.

As a side note, many crafters underprice for other reasons, such as trying to compete with mass-produced goods or because they feel embarrassed at valuing their work too highly.  At the You Bazaar I came across a 10-inch plush character priced at $8.  I don’t care if the fabric, stuffing, thread and needle all came out of the trash; that price is too darned low.  It made me think there must have been something wrong with it, and that is the last thing you want your prices to imply to potential customers.

People buy handmade because they want quality and artistry, and for the msot part, they are willing to pay for it.  As Mateo Ilasco says, “You may be asked to explain your prices, but you should never apologize for them.”

I can’t really afford to charge wholesale or consignment prices, but I want the extra exposure.  Is it worth the financial hit?

That depends on what sort of exposure you want and how much of a hit you are taking.  It may be worth it to keep one featured product at a popular store that gets frequent press coverage or has lots of events, as this could drive more people directly to your business. On the other hand, a small store with few walk-in customers, one whose customer base doesn’t overlap with yours especially well, or one that doesn’t feature your product prominently might not be worth the investment.

You can also try to negotiate your own wholesale prices/consignment splits, especially with online stores that carry a low overhead.  50/50 may be typical, but if you explain your pricing and your product is popular, a store owner might agree to 60/40 or even 70/30.  You can even have different splits for different products.

Can I set different prices for cash and credit?

‘Fraid not.  I know it sucks, since you have to hand over part of every sale to the credit card companies, but it’s part of the merchant agreements for Visa, Mastercard and American Express that you can’t charge customers extra for using a credit card.  Only places like gas stations, which use totally separate systems for cash and credit (cashier vs. in-pump card-reader) can do this.

Crafty Business Questions: Sales Tax

November 11th, 2008

What are the rules about collecting/paying sales tax?

  1. If you sell tangible goods within the state of California, you must have a seller’s permit so that you can collect sales tax.  This applies even if you only sell things at craft fairs.
  2. You have the pay the sales tax rate for the particular county in which you sold your goods, not the rate for the county where your business is based.  Since the San Francisco Bazaar happens in San Francisco, you need to pay 8.5% sales tax on everything you sell there, even if your business is based in Los Angeles, where the sales tax rate is 8.25%.
  3. If you have a seller’s permit (sometimes referred to as a “wholesale license”) you don’t need to pay sales tax on the things you resell.  For example, if you make jewelry, you don’t need to pay sales tax on earring backings, clasps, etc. because they become part of the finished product.  If you already paid sales tax on these items, you can deduct it on your sales tax return at the end of the year. This rule does not apply, however, to tools and supplies like scissors or markers.  It also doesn’t apply to promotional or display materials, or to things you give away, rather than sell.

What if I (or my customer) lives out of state?

Sales tax rules apply to the state where the transaction takes place.  Even if you live in Oregon and your customer lives in Texas, if you sold them something at the San Francisco San Francisco Bazaar, you have to pay San Francisco sales tax to California’s State Board of Equalization.  When selling things online, you only need to charge your customer sales tax when your business and their shipping (not billing) address are in the same state (assuming your state collects sales tax).

I don’t want to have to use a calculator and make small change at the San Francisco Bazaar.  Can I just have the tax be included?

Yes.  Contrary to popular belief, sales tax is actually a tax on businesses for the privilege of being allowed to sell things in the state of California (or elsewhere).  Most businesses pass this charge on to their customers, but you don’t have to.  I tend to keep my craft fair prices in whole dollar amounts and just eat the sales tax to keep things simple.  But you can also increase your prices here or there to make up for it.  Just remember, whether or not your customers pay sales tax, you most definitely have to.

Okay, fine (heavy sigh). Where do I sign up to get the stupid seller’s permit?

Since Jamie already posted all of this info on the San Francisco Bazaar vendor page, I’m just going to copy it below (thanks, Jamie!).  There is still time to get your seller’s permit, but not much, so if you haven’t applied for one yet, do it this week!

You can get tax information here:http://www.boe.ca.gov/info/reg.htm#sales or at their FAQ Page http://www.boe.ca.gov/sutax/faqscont.htm It is FREE to apply. Most of you (who do not already hold a seller’s permit) will need to fill out the BOE-400-SPA Seller’s Permit Application which available for download from this LINK. The completed application can be delivered in person, mailed or faxed to the local field office.

If you have any questions please refer to http://www.boe.ca.gov/info/reg.htm#sales Representatives from the State BOE are available to assist you with permit questions Monday through Friday (except State holidays) from 8:00 A.M. to 5:00 P.M PST. A registration packet will be mailed to you within 24 hours. You will generally receive your permit approximately two weeks after they have received your completed application. Incomplete applications may delay the process.
From TDD phones: 800-735-2929
From voice phones: 800-735-2922
Bay Area Local Field Office: (916) 227-6600 *Press 0 to talk to an agent, and they will give you fax information. This is probably the fastest way to process your paperwork if you do not have a lot of time.

You must have your permit by the time you vend. California law state that you must have a resale certificate in order to make sales. You are considered a retailer if you are selling any tangible items to customers.

A really excellent indie shopping guide

October 29th, 2008

It is time to gear up for the holiday season. I know a lot of us are going to take the handmade pledge again this year and Amy M. Cools designer of AC Clothing and Bags at afterglow design studio has a great indie shopping guide organized to be useful to shoppers, designers and shop owners.

Here is the description from the main page.

*Shoppers: Let your fingers do the walking and use this Guide to
browse hundreds of independent designers (listed by category) and
stores, online shops, and fairs & sales events (listed by city).
HINT: Bookmark this page to easily access this Guide whenever you
need it!

*Independent Designers: Use this Guide to find shops & sales
events where you can sell your creations, and to find networking
opportunities in the indie design community.

*Shop owners, event promoters, & bloggers: Use this
Guide to find fresh, exciting new talent to represent & review.

Go check out this great Indie Shopping Guide.

Miracle dog Guapo says 'Obama' at San Francisco Bazaar Austin

October 18th, 2008

We’re here at the San Francisco Bazaar at Maker Faire Austin. Our neighbor vendors, ChickRocks and BleGrnDesign, have a lovely dog named Guapo. Guapo is a wonder dog and her can bark Obama. Go check out the You Tube video.

guapo barks obama

Crafty Business Questions: Preparing for Craft Fairs

October 12th, 2008

This is my first craft show.  What do I need to bring to make sure I’m prepared?

After participating in several craft fairs I have compiled two checklists: the must-haves, and the nice-to-haves.  The amount of stuff you can bring from your nice-to-have list depends largely on how much booth space you’ve got and how much room your must-haves take up.  **Note: this list is for indoor fairs only.

Must-Haves:

  • Craft fair info. Includes directions, rules, and booth location.
  • Inventory and inventory list. Bring a variety of more and less expensive products, and bring as much as you can fit in your booth–I have run out of inventory at really busy craft fairs.  Write down everything you’re bringing to sell and how many you have at each.  This will allow you figure out exactly what you’ve sold.
  • Change. I recommend $200-$300 in small bills.  I break it down as follows: 12 tens, 10 fives, and 30 ones.
  • Cash apron. Forget the big, black cash box with the lock.  It’s awkward and heavy at a fair.  You can make a cash apron from scrap fabric (I made this one–it’s just rectangles), or you can get one from your local hardware, craft or office supply store.  Some things labeled “tool apron” or “craft apron” will also have pockets that work.  For those wanting a more fashionable cash apron, LuluKnits sells a tutorial for this gorgeous little number.
  • Tablecloth. It doesn’t have to be fancy. It just has to be long enough to cover the top of the table and hang down long enough to hide the messy pile of boxes and bags you’ve got stashed under there. I’ve been using the same $1.99 plastic green tablecloth for years.  Stay away from fabrics that show dust or dirt easily, that aren’t machine-washable, or that damage easily (like velvet or velour).
  • Helper. This is so important, especially during holiday fairs.  You will need someone to help you set up and man the booth while you eat or visit the restroom.
  • Business cards. Customers, store owners and members of the press who visit your table want an easy way to find you again.  I go through a couple hundred business cards at each fair so bring a lot.
  • Credit card slips. If you sell anything over $10, I highly recommend you set yourself up to accept credit cards.  You can use tools like Propay or Paypal rather than a monthly account (more on this in a later post), but you do need something official with which to collect information. An imprinter with sales slips are best (you can get one with 100 slips for about $25 online), but you can also print your own order forms–just make sure your customer still receives a receipt with your contact info on it.
  • Receipt book. Good for keeping track of what you’ve sold and for taking custom orders or orders that will need to be shipped.
  • Cell phone. Use in case of emergency or to call in credit card authorizations.
  • Signage. Anything your customers should know should be posted in big letters, from your business name, to your prices, to the fact that they get a free button for signing up on the mailing list.
  • Display materials. Again, it doesn’t need to be fancy, it just needs to work.  Things that make merchandise vertical (i.e. visible from a distance), such as hangers or small easels are great, as are a couple of strategically placed spotlights.  Small shelves or boxes help to separate lots of small items, like jewelry or wallets.
  • Packing materials. Newspaper and old supermarket bags are fine.  It’s free and good for the planet!
  • Energy bars and water.  If you’re super busy (and you always hope you will be), you won’t have time to eat that pasta salad you packed.  An energy bar fits beautifully in a cash apron, however, so you can sneak bites here and there.
  • Emergency kit. Containing tissues, aspirin, allergy pills (if you get allergies), band-aids, breath mints and hand sanitizer. Also pack any emergency medications you may have and an emergency contact number.  Exchange numbers with your helper.
  • Fix-it supplies. This should include at the very least: paper, cardstock, pens, permanent marker, masking, clear and duck tape, string, scissors, and anything you might need for your particular wares, such as needle-nose pliers, glue, price stickers or a sewing kit.
  • Business license and seller’s permit. It’s the law, folks.  Copies are okay.  You can leave the originals home.  More on this in a later post.
  • Comfy shoes. At a busy fair, you’ll be standing all day.
  • Extra clothes. Sometimes it’s freezing at the fair.  Sometimes a customer spills soda on you.  You know.

Nice-to Haves:

  • Media kit. Packet of photos, bio, press clippings, line sheets or order forms, etc.  To give to the occasional interested member of the press.
  • Lunch. Whatever you can eat quickly and with as little mess as possible is best.  Raw veggies, crackers, etc. are good.
  • Camera. It’s nice to document the event and your booth set-up, especially if you have a web site or newsletter.
  • Gift wrap. Tissue paper or small jewelry boxes are good.  Keep it fast, easy and cheap. Customers  appreciate not having to wrap gifts themselves during the holidays, but you shouldn’t lose a lot of time or money on it.
  • Lint remover. Especially good if you have a dark tablecloth and/or a cat.  Tape works in a pinch.
  • Hand truck or fold-up cart. The skinnier the better, to navigate narrow doorways or aisles.  A godsend when the parking lot is really far from your booth.
  • Board with mounted press clippings. Nice if you have room on your table.
  • Laptop. Depending on your fair’s set-up, you may be able to bring a laptop to show customers a more extensive catalog, or to accept credit card payments online.
  • Chair cushion. As my high school Economics teacher used to say, “The mind can absorb only what the seat can endure.”
  • Music player. Make sure to check the rules with your fair coordinator(s) about this one. Keep the volume low enough that you can converse with customers easily.
  • Craft Supplies. Great for downtime and for luring customers to your booth.  People love to see the magic behind your crafts.
  • Wholesale order forms and/or price lists. For the occasional interested store owner.

What other items are you glad you had at your last craft fair?  Do you have a crafty business question you’d like answered?  Please share your thoughts in the comments.

By Biz Miss

Interview with Hae Eun Park creator of Planet Tokki

September 19th, 2008

The upcoming You Bazaar in San Francisco (November 2) will be showcasing so many great vendors we decided to share them with you early via interview! I’m excited to post the first one with Hae Eun Park creator of Planet Tokki. You must check out her web site and adorable plush creations!

Planet Tokki is home to silly and quirky creatures with their own stories and different adventures. On Tokki, you’ll find creatures like Plinki the carrotbunny, Dooboo the Tofu man, and legions of squeaky poos. Planet Tokki is lovingly handcrafted by Hae Eun Park, a plush designer that divides her time between Los Angeles and San Francisco.

Your web site is cracking me up. I love Planet Tokki and need to move there immediately. Were you a crafty creative kid? Who inspired you most?
Honestly, if I knew where Planet Tokki was, I’d be there right now! When I need that perfect tan and an ocean breeze, I’ve got Hinky Fluff. When I need that brisk winter air, I’ve got Kokkiri!

I’ve always been crafty as a kid in all senses of the word–sneaky and creative. If something in the house was broken, I’d always be the first one there tying it with strips of a tee-shirt, using smashed rice as glue, opening the gadget up and tinkering with its insides. I used to also devise booby traps around the house and backyard for my other 5 hapless siblings to fall into. My biggest creative inspiration is my dad who is an eccentric man. He holds about multiple degrees, is an Acupuncturist, poet, inventor, and now in law school at the ripe age of 70!

Please talk about how you discovered Planet Tokki.
It was late 1999, I was about to enter my junior year in college. I was antsy and my brain yearned for something strange and quirky. I bought an old stuffed animal how-to book at a used bookstore and tried to make my first plush. I failed miserably and made what was supposed to be a squirrel, but looked like a seal/lizard. The error gave me an idea though. I should start making hybrids of creatures and see what happens. They started out as presents for friends and then took on a life of their own.

The story of Planet Tokki came out very naturally on its own. I’d simply look at one and know it was supposed to eat poo, or that this one here was supposed to be the town drunk. There would be no other way about it! I’ve always felt like more of the mouthpiece for this world!

Also, people need to buy many Planet Tokki creatures so that you can fund another trip of discovery to Yang-pa island. What dwells there? Discoveries such as the Daucus lagomorpha, or “Carrot-Bunnies” are def . enough to peak my interest! Do you have any new discoveries you plan to unveil at the You Bazaar?
Yang-Pa island is the newest discovery at Planet Tokki. This island is still a big mystery to the Cheezbourg Naturalist Society of Hinky Fluff Island. Even what is known still perplexes the researchers! Daucus lagomorpha, or Carrot Bunny (aka Plinki) are only one of the many peculiar creatures that reside there. Tofu People are the most pervasive species on the island, but are peaceful and docile. Eggplants, however, are a dangerous lot. Many a luckless victim strayed too close to an eggplant den and found themselves knocked down by a gang of eggplants! Researchers have just discovered a beady-eyed black bean that collapses when approached by creatures other than black beans! More research is pending…

The main research responsible for the discovery is in Hinky Fluff Island and led by diligent Naturalist, Jingy Scubb. Their biggest hurdle is wading through the enormous amounts of red tape in the Hinky Fluff local government. Lately, the authorities have been more distracted by the poo overpopulation that permeates their island than exploration. Only time will tell when the funding will go through. In the meantime, however, Dr. Scubb makes solo treks on her own dime to the island to study the Tofu People.

Do you think that earthlings are ready to be exposed to the Planet Tokkians (correct me if this is the wrong term!)? We can barely steward our own planet and here are all these lovely creatures… I wonder if they can they defend themselves.
Unfortunately, Tokkisomians are blissfully unaware of anything outside their planet. In fact, it was only recently that each island was made aware of each other! As you could imagine, this caused a great upset that lasted for months. Each island believed they were their own planet! So the very idea of Earth is a lost topic in their mind! Fortunately for Tokkisomians, no earthling will ever find Planet Tokki, as this planet exists on a parallel dimension.

I don’t doubt that Tokkisomians can defend themselves either. Matilda, a swamp moose in Hinky Fluff, is known for charging intruders and smothering them with her underbelly; Carrot Bunnies have a mean bite when cornered; Ninja Barnacles are painstakingly trained in the art of Barnacle Ninjitsu!

Are you a contributor to the Cheezbourger Daily? If so, how do you communicate with the rest of newspaper staff? Do you have a universal translator? What is your office/discovery laboratory like?
The Cheezbourger Daily is sent to me via bike messenger who is mum on the details. I only wish I could contribute to such thought-provoking investigative journalism! My own office is my apartment filled with stacks and stacks of fabric, a laptop, and endless amounts of fluff flying about. Sometimes I find plush stuffing in my cereal…

I’m sad to read that you may be taking some time off from being an ambassador to Planet Tokki. Say it ain’t so!!!
It’s true. I will be putting Planet Tokki on hold as of May 2008, but this is not an end. In fact, the hold is so that Planet Tokki can grow. As it stands now, I can’t continue to design, create the story, and sew all these little guys at the same time with the growth that is occurring with the company. So, I am researching solutions. When it returns, Planet Tokki will be bigger and more polished. Just wait and see..

Can I get a date with Goomi?! He’s hot!
Goomi….I spoke to some Hammies on Kokkiri Island who said there are rumors that Goomi is indeed looking. I’ll keep you posted! A barnacle king that can cook and fight? I see what all the fuss is about!

You can buy Planet Tokki plush at:
Wink SF, 4107 24th Street, San Francisco, CA
Planet Tokki will also be at the following craft fairs:
You Bazaar – November 2
Felt Club – November 16
San Francisco Bazaar SF – November 30

or online at www.planettokki.com

The interviewer, Minnie, also blogs about crafts and other things at Thank You For Not Being Perky.

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