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crafts with a purpose: Daughter Earth

September 11th, 2010

I started Daughter Earth about three years ago with my sister. Our goal is to raise awareness of endangered species and habitat conservation through design. We focus on fun and original surface design that we use to create our products. We really like going out and working hands on with organizations that are protecting wildlife.

What inspired you to go into the craft business, do you still have a day job? I work in fashion and I’ve always been interested in conservation. I was seeing animals in fashion & home goods becoming more and more popular. I saw this as an opportunity to spread awareness and raise money for wildlife conservation. I had that idea in my head for quite some time; then, back in early 2007, I went to Borneo to volunteer with orphaned orangutans. Once I got back I couldn’t really think about much else. I wanted to start a business to help endangered wildlife.

I quit my day job for about 6 months to get things started. I built my website, made a few products and started to do some shows. I soon realized I did not have the money or experience I needed to really built the business as quickly as I would have liked, so I went back to work. I am lucky to have a creative job that I love, but it is really hard to balance a day job with Daughter Earth. It’s exhausting working and having your own business. I always want to be working on Daughter Earth. I rarely have time to do anything fun because I feel like I need to spend every spare moment working on my business.

What do you like best, coming up with ideas or executing them? -Ha! I definitely enjoy coming up with ideas more than executing them. It’s a constant battle for me. As soon as I start one project I get all these new ideas I get excited about and then I have a hard time following through on the execution of the original project. I have a really hard time juggling all my ideas!

What’s the best thing about what you do? And the worst? Best – There are people who get a huge smile on their faces when they see our booth at a craft show. You can tell that our product excites them. Seeing that reaction is a great feeling for me, and it helps to keep me motivated. I also love it when I get to send a check to the conservation organizations I work with.  Worst – No free time! I am always, always working! There is never enough time to finish everything I want to do.

What are your creative influences? I love color and pattern. I am inspired by many different kind of arts. I love the nabis, fauvists and most post-impressionist painters. In fashion, I love Tsumori Chisato and Marc Jacobs. I love animation and animation concept work, especially the work of Mary Blair. It’s great because with modern day technology you can see work by artists from all over the world. There are so many great contemporary artists and crafters that inspire me. At this moment, I am loving the work of Husmann Tschaeni, Leah Duncan, Mocchi Mocchi, Sandra Deickmann, Yukari Miyagi, Jill Bliss, Apak, Leah Duncan, Julia Pott, AyaTakano and Jennie Smith.

What’s the best advice you have been given about your business or craft practices? Stay organized. Keep it simple. Start small. (If only I could follow my own advice.)

How do you stay inspired? Everything inspires me, from the way the water collects on the shower doors and the shape of some gum stuck to the sidewalk to more conventional sources like magazines and blogs. I am always reading about wildlife and conservation. I am constantly looking at books, magazines and blogs. I always try to make it to interesting museum shows. I am constantly coming up with new ideas. Inspiration comes easy! Editing, prioritizing and finishing all of my projects is more of a struggle for me!

Use coupon code JPOP25 to receive 25% off (valid through September 30th, 2010). You have to enter the code on the individual products before adding them to your cart. Sale items and promotional items are excluded.

shop: http://daughterearth.com
blog: http://daughterearth.com/blog
twitter: http://twitter.com/daughter_earth
facebook: http://www.facebook.com/DaughterEarthFashion

The Poetry Store, artistic wordsmith

September 11th, 2010

I am the poet and owner of a small business called The Poetry Store, which is: 1. a typewriter. a poet. a vision: poetry for sale on demand. 2. objective + obstruction = art. Available for music and literary events, art openings, weddings, parties, and get togethers of all kinds.

When you visit The Poetry Store, you tell me what you want your poem to be about, who you want it to be for, pick your paper, and in 3 minutes or less, I’ll have it for you, typed on my red royal typewriter! Spontaneous as combustion and as original as bergamot on your ice cream.

For The Poetry Store, I also make and sell one-of-a-kind and custom poetry art pieces. The images I use come from my own drawings, photos, or paintings, collaborations with other artists, and recycled and up-cycled images from old art calendars, wall papers, and even a woman’s obituary book I found on the street.

What inspired me? Besides an inability to do anything for 8 hours straight, I got into the craft business because it just felt like what I needed to do–I am a creative person, with lots of ideas, who loves working with my hands; I thrive off of meeting new people and hearing their stories; I desire a good challenge (which actually happens with every poem i write! because it teaches me something; and I have a need for work that’s always changing and evolving, so, here I am, making a living as a poet! I don’t have a day job, but I do teach a poetry class to the elderly for The Institute on Aging. Yes, what I do for “work” is pretty amazing.

What do you like best, coming up with ideas or executing them? Definitely coming up with them! If I could get paid just to have ideas, I’d be rich! However, there’s so much satisfaction when the idea is done being executed. So, maybe it’s 50/50 coming up with idea/executing it.

What’s the best thing about what you do? Best thing: I am living my dream–making a living as a writer, being challenged personally, emotionally, financially (oh, growth!), meeting so many people who teach me about compassion, joy, vulnerability, strength, wisdom, fun, and having faith in our fellow human beings. I couldn’t do what I do without all the people who want to buy poems and trust me to write them. It’s all pretty magical. And I am constantly humbled and grateful.

The worst thing? Worst thing: The financial roller coaster, which mostly plunges down an occasionally takes great climbs; if only it would coast there for a while, or just go up forever!

What are your creative influences? Birds, typewriters, old things most people find useless, the moon (especially in daylight), death, Dean Young’s poetry, my students (who average about 85 years old), risk, bunnies, squirrels, jellyfish, string, a desire to understand, a desire to dream, a willingness to fail, a willingness to succeed.

What’s the best advice you have been given about your business or craft practices? Don’t worry about what you think other people want; make what you love, what you think is beautiful, and other people will think so too.

How do you stay inspired? Reading (see esp. the same stuff over and over), constantly meeting new people, riding my bike around San Francisco, hobnobbing with artist friends, going to the ocean and, this is embarrassing but, the real answer is: sometimes, watching stupid TV. It’s the only way I can decompress, really take my mind off of the 100 things I have to do. And when my mind is off of things, it opens me up to ideas that have been waiting to come out.

website: http://thepoetrystore.net/
etsy: http://thepoetrystorepoet.etsy.com

Pieces on display in Philz Coffee on Van Ness and in the window of Femina Potens Gallery on Market and Sanchez, San Francisco

V is for Violet: plush. art. fun.

September 6th, 2010

What inspired you to go into the craft business, do you still have a day job? I have always made things and never thought I could actually sell anything and one day a friend of mine suggested that I try selling at a craft fair, ever since then I have been hooked! Making things with my hands has always given me a chance to “get away” from everyday life. I have spent hours and hours making things and every time I finish it is just as exciting as the first.

I have a wonderful day job as a Special Education Instructional Aid, the kids are amazing and inspire me everyday. It would take a lot for me to ever want to quit my day job, I think because it is less like a job and more like fun :)

What do you like best, coming up with ideas or executing them? I have to say I love executing them the best. There is something really exciting about sketching something and seeing it “come to life”. I have so many ideas that sometimes I can’t even decide which ones to get started on first so I have to think that the ones that make it through to completion do so because they are extra special.

What’s the best thing about what you do? And the worst? The best thing about what I do is the freedom to create whatever I want but the worst thing would be just that, the freedom. I tend to have a hard time editing my choices and not wanting to limit myself in what I make.

What are your creative influences? There are so many things that influence my work and me: old movies, T.V, old Martha Stewart magazines.

What’s the best advice you have been given about your business or craft practices? To price my work accordingly, it is hard to do and sometimes you feel like you should under price your stuff to sell more of it but in the end you have to value not only the time it took to make some thing but the time that goes into the quality and care that goes into each piece. I double and triple stitch everything and make sure the safety eyes are double backed with wool felt. I like to think that my creations are not only worth the price but also worth the originality.

How do you stay inspired? I carry a sketchbook around all the time and now that I have a decent phone I am always taking pictures.
I really love doing what I do and I am grateful for everyday I get to do it.

Shop: http://www.etsy.com/shop/tanyap

SuperBuzzy, super cute fabric and gifts

September 6th, 2010

What inspired you to go into the craft business, do you still have a day job? My beautiful daughter was born in 2003, and, like many other moms, I was inspired at that time to revisit crafting and make things for my tiny, new arrival. In meeting like-minded moms through the crafty blogosphere, I was introduced to the wonders of Japanese craft books and fabrics. I was also quite frustrated that there was no place in the US to buy the fabric – the only option seemed to be using a shopping service, and those can be quite cost prohibitive! So, I started to think about importing the goods myself, and that was the genesis of superbuzzy.

I am *incredibly* lucky to be able to work full-time for superbuzzy. When the shop was first launched, I worked another job while superbuzzy was still in it’s infancy. As superbuzzy grew, I realized that I had to shift my commitment in order to continue to provide the best service and products to our awesome customers. I thank my lucky stars every day as I come into work that I have a job that I love, and that our supportive customers continue to make this possible.

What do you like best, coming up with ideas or executing them? I have to say I am an idea person. My biggest struggle at superbuzzy is finding time to implement the “big picture” projects amidst the day to day operations of the shop: order fulfillment, receiving new product, accounting, customer service, etc.

What’s the best thing about what you do? And the worst? The most rewarding part of being a part of superbuzzy is seeing what people make with our craft supplies. I love looking at finished projects in our Flickr group, and it’s incredible to see how different people will approach the same fabrics or supplies. Oh… and I also *love* peeking into the boxes of new shipments… it’s like Christmas morning every time!

Probably the least fulfilling part of the job for me is the accounting. I know that sales tax reporting and quarterly budget projections are important, but I always dread those deadlines!

What are your creative influences? My most significant creative influences come from my trips to Japan and the products themselves. With each new bolt of fabric, I see a host of fun, new projects that need to get made. The craft community in Japan is like no other I’ve ever seen, and there appears to be no limit to Japanes ingenuity and creativity. Visiting a Japanese craft mega-shop like Yuzawaya or Okadaya is a mind-blowing experience for most folks from the US… just walking the aisles, floor after floor, is sufficient for a lifetime supply of project inspiration!

What’s the best advice you have been given about your business or craft practices? I think the most important advice I’ve gotten is to stay true to myself and my own tastes. Every time I venture outside my own personal loves for the shop, I end up with something that is not successful and sits here (reminding me of my mistake) for far too long! I’ve learned to only stock what I truly love, regardless of what other folks might suggest.

How do you stay inspired? Sometimes, with the day-in, day-out routine at the shop, I get pretty wiped and need a creative push. That’s when I know I need to get myself to a trade show or on a plane to Japan. Both are energizing and inspiring, and although exhausting, they give me that boost of excitement and inspiration I need to sustain myself at the warehouse.

I am so lucky to have such a savvy and fun community of customers. With each order we fill here at the shop, we get a peek into customers’ projects, their creative influences, and their loves. It’s great fun for me to see things in new ways each day, through the eyes of my customers.

Website: http://www.superbuzzy.com/index.php

Bugs Under Glass, yes they are real!

May 27th, 2010

Bug Under Glass creates and builds museum quality insect displays and insect jewelry (new!) and is the first and only Green Certified insect display business in the country. It started in 2002 and continues to build this business on a foundation of ecological conservation, science education, design and art.

My background is in biology and my graduate school research focused on ants. I have worked in the entomology departments of the California Academy of Sciences and IZIKO South African Museum and get a kick over posing insects in human-like situations. You can see some at www.bugunderglass.com

What inspired you to go into the craft business, do you still have a day job? I have always loved to create things and when I started researching insects I thought they would be a perfect medium because of their amazing colors and shapes. When I learned that I could obtain specimens from insect farming programs that were sustainable and were part of forest conservation programs, I went into business. I love it because I get to work with the animals I love, teach others about them and show off the beauty that lives in far off places. This is now my full-time job.

Describe your creative process when designing/making your product line. Insect ideas are always popping into my head. I love scanning and manipulating old maps and then pairing them with butterflies native to that particular area. Joseph Cornell’s work is also very inspiring to me.

What’s the best thing about what you do? And the worst? The best thing is that I am making a living at what I love to do. I get to work from home, hang out with my dog (and wife in the summertime), and play with insects. The worst part is the long weekend craft shows, which can be exhausting, and answering the same question over and over – “are these real?”

What’s the best advice you have been given about your business or craft practices? Always talk to other crafters as they are the best source of information.

I am currently trying to get a Rhinoceros Beetle to wear miniature women’s lingerie (yes this does exist).

the science of art, LOOMLAB

May 16th, 2010

inspired by innovation and imagination
pushing creative boundaries of scarf design with hand-selected yarns and trimmings
technological fusion of art and  fabric production
capturing the pulse of the present

What inspired you to go into the craft business, do you still have a day job? I was inspired to start LOOMLAB in order to create a unique and modern collection of scarves. The name LOOMLAB came from the idea of combining technology and experimentation with fashion and textiles.  This lead to my first foray into scarf design.

Fashion is both emotional and artful – it is your unique and individual statement to the world.  My scarves support our need for personal self-expression.

And yes, I still have a day job.

I like to build a story into each product. It could be a pictorial narrative, hidden details, messages to decipher or decode, or a scientific formula. I love the light-bulb moment of personal recognition or the discovery, when someone makes a connection with the scarf.

Tactile qualities are also key to the design of our scarves:  fit, shape, cocoon-like comfort, surface treatments and weaves, handpicked yarns and fabrications.

There is definitely common thread woven into each collection: science and technology-inspired with a hi-tech color palette.

What’s the best thing about what you do? The best – Having a company that is a springboard for creative endeavors, inventive design and experimentation with fashion (and a personal unlimited supply of scarves)  And the worst? I struggle with not having enough time to give to my business.

What’s the best advice you have been given about your business or craft practices? I’ve heard it since I was little – life is too short; always do what you love to do.

To connect with LOOMLAB, please visit, www.LOOMLAB.com **Stop by our booth at BB at the upcoming Makers Faire and receive a free gift!!! Hint: Miss Rumphius.**

Etta + Billie, tasty smelling soap

May 12th, 2010

I am a small town girl who loooves the big city. I started making soap about 5 years ago after telling my mom I needed a hobby and receiving a soap making book in my Christmas stocking (thanks Mom). Since then, I just made batch after batch and realized that I loved creating usable naturally scented art. So, I officially started Etta + Billie a little over a year ago so that I can provide lovely handmade 100% natural bath a body products that look and smell great. When I am not furiously making soap and products, I love to cook and read and if I have time try to watch the Wire season 3. I desperately want a dog but must resign myself to fish for the time being. I like to collect 80s prom dresses and other 80s clothes (and started way before the 80s got trendy). I am currently working on be a good blogger, eating seasonally and making conscious choices in my life.

What inspired you to go into the craft business, do you still have a day job? What pushed me to start crafting was a frustration with my day job and feeling like I was never creating anything useful or beautiful. My mom was also super crafty when I was young, she went through many hobbies including sewing, stained glass, weaving, macramé, paper making, pottery, and the list goes on. I didn’t catch my Mom’s craft obsession until a few years ago, but it feels great to have found something I am passionate about. I do still have a day job and am thankful for the insurance and regular paycheck but am counting down the days till I can soap full time.

Describe your creative process when designing/making your product line. I dont have a set process in place for coming up with ideas, I get these flashes of inspiration and make sure to write them down. Sometimes it comes from cookbooks or cooking shows, sometimes while I am taking walks and sometimes it just happens while I am on the bus. I go through my ideas and figure out which ones are worth testing. From there I mix up a scent an use perfume strips to test it making sure to note how I like the scent after I initially create it and in a couple of days. Then I will make a “test batch” of whatever I am working on, giving it to family and friends for feedback. I keep tweaking it until I love it!

What’s the best thing about what you do? And the worst? The best thing is coming up with scents and products that people absolutely love and creating them in the most sustainable way possible. It gives me a warm fuzzy feeling :). The worst part is cleaning up – I hate washing dishes!

What’s the best advice you have been given about your business or craft practices? The best advice I have been given is to not let fear or doubt stop me from doing the things I need to do to make my business work.

Anything else you would like to tell us about your business? I am really excited about some new products that I will be launching in the next couple of months – one of which will debut at the Maker Faire!!

website: www.ettaandbillie.com
twitter: www.twitter.com/alanarivera
facebook: http://www.facebook.com/EttaandBillie

animals of Hue

May 12th, 2010

I was born in Taiwan in 1978 and I have lived in America for most of my adult life. Since I was young I have had a love for color and form. With the support of my parents I came to California in 1996 to pursue my education in art. While a student at San Francisco State University I began to focus on ceramic sculpture. After I graduating in 2003 I went back to Taiwan for a year to reconnect with my family and culture. I moved back to the Bay Area where I can live with a wider range of artists. I currently teach ceramics in several places as well as maintain a studio practice in Oakland, CA.

What inspired you to go into the craft business, do you still have a day job? I remember back when I still had a 9-5 job, I was so unhappy and not motivated to do anything creative, so withsupport of family and friends I quit my job and went into the craft business. But I do still work outside of my studio; I work about 10-20 hours a week teaching ceramics in the bay area, and the rest of time I get to stay in my own studio!!

Describe your creative process when designing/making your product line. I love animals, all different kinds of animals. Every time when I see an animal I just want to narrate for it, and sometime I feel like I am the animal that I am drawing, this drawing process has a special connection with me.

What’s the best thing about what you do? And the worst? I like being able to make money doing something I love. The worst part is having no guarantee of the amount of money I will actually make.

What’s the best advice you have been given about your business or craft practices? “Don’t undersell yourself.”

I have an open studio June 5,6 and 12,13, It’s at my home/studio in Oakland and is the best way to learn about me and my work. You can find information about events that I will be at on my Blog www.justhue.blogspot.com, or shop on etsy: http://www.etsy.com/shop/pikahue

Casa Murriguez, inspired by the bay area

May 12th, 2010

Casa Murriguez, Casa M for short, makes environmentally and socially sustainable handmade housewares and home decor featuring illustrations by Sharon Murriguez. Products include throw pillows, tea towels, art prints, stationery and other such items that will turn the style knob of any room in your home up a notch. No need to choose between style and conscience when you can have both!

Sharon Murriguez, the owner and currently the one-woman manufacturer of all of Casa M’s goods, is an Oakland-based artist who has been making art since she was 3 years old. Through the years, Sharon has focused her studies on filmmaking, photography, and printmaking. She is excited to see all of these creative endeavors intersect with the production of Casa M goods.

What inspired you to go into the craft business, do you still have a day job? I love making stuff and I was ready to take the leap into self-employment! I left my day job working for s non-profit last September and I am not looking back. Even though managing and balancing the creative and administrative elements is a constant challenge, I can’t imagine having it any other way.

Describe your creative process when designing/making your product line. In developing Casa M wares and more generally in my artistic process at large, I’ve found my biggest inspirations to be from everyday things. Whether it’s the view from my living room window, photos taken from a walk around Lake Merritt, images that pop up on Google searches for “vintage audio,” long distance road trips, or doodles drawn while riding BART, bits and pieces of all these experiences can be found in every Casa M design. I love the process of prototyping, from making a new illustration to figuring out how to pattern it to exploring different color and construction possibilities.

What’s the best thing about what you do? And the worst? I love having the creative freedom and flexibility to actualize an idea for a design, product or color palette. I also have gotten really into understanding the business side of things and have found it very empowering to understand the holistic reality of being a self employed business owner. And of course I have a ton to learn.

The worst part is always feeling like I wish I had more time and money. It has been a real challenge to increase production volume when every step in the making process is so labor intensive and materials are costly. It all takes time and sometimes I have to check my impatient tendencies, take a deep breath and appreciate the process. And sometimes these are the challenges that force me to be more creative.

What’s the best advice you have been given about your business or craft practices? The best advice I have received – which is totally relatable both to business and craft practices – is to put the right systems into place to make your life easier to be as efficient as possible. I’ve got my own little assembly line process for all my products and that has helped with scaling up production.

Website: http://www.casamurriguez.com/
On Etsy: http://www.etsy.com/shop/CasaMurriguez

absurd things happening to ridiculous people, Wondermark

May 12th, 2010

I’m the creator and author of the comic strip “Wondermark,” which is syndicated in some newspapers but also runs online. My website, wondermark.com, is the hub of the entire enterprise, which is where I write and design interesting things for people to read and look at and enjoy. Most of what I do is just creating free entertainment for folks, but I also put a lot of time into crafting books, stationery and gift items, and art pieces for folks to add to their lives in physical form.

What inspired you to go into the craft business, do you still have a day job? Making my comics and their related projects/products is my full-time occupation! More precisely, managing the business that revolves around the comics and so on is my job, and it’s a lot of administrative nonsense most of the time, but the core of it is my creative product in its myriad expressions. I started making comics as a fun lark when I was working in advertising — a business that can easily eat all of your creativity — and when I began to apply my efforts in the service of fun products that people wanted to buy, it led me down a path that eventually led me out of advertising and into “whatever I want to do next, let’s do that.” So that’s been comics, books, handmade stationery items, wall art and prints, original art and commissions, design work… what fun!

Describe your creative process when designing/making your product line. My comic is mainly about “absurd things happening to ridiculous people,” which is to say that it can be about anything! So inspiration comes from everywhere, and whenever I think of some peculiar situation that might work as a comic, I turn to my collection of 19th-century books, find some neat illustrations in there, fire up the ol’ coal-powered scanner and get to work on a collage. The use of authentic old engravings gives my work a very distinctive aesthetic quality, and it serves as a unifying theme across all of my work — whether it be in book form, or other designed work like cards, posters, calendars, etc. So in a nutshell: 1. Think of something strange. 2. Make it look old-timey. 3. There is no step 3?

What’s the best thing about what you do? And the worst? The best thing is that the Wondermark name is infinitely expandable! It can encompass comics, novels, strange anachronistic books, greeting cards, trinkets like stickers and T-shirts, short stories, posters and other types of weird art prints, even live performance and lectures! Basically anything I find interesting, I can explore with Wondermark. The worst is probably the constant desire to top myself. Everything I do is (hopefully) better than whatever came before it — which is great for you, but bad for my sleep schedule.

What’s the best advice you have been given about your business or craft practices? Always make the thing you like, rather than trying to please some imaginary audience. Making the thing you like will attract readers/fans/customers/whatever that share your tastes, which means that anything else you make, they’re probably already on board with. And be nice, too. That way you make things that nice people like. Having an audience of nice people who like what you like is the perfect situation. Making something mean or callous or calculated or simplistic or dumb attracts people who like those things, which is not the ideal audience to have, in my opinion.

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